It’s difficult to discern the plot of “The Shape of Water” by watching the trailers. It turns out, the movie is a love story between a sea creature and a mute janitor (Sally Hawkins). Even more specific than a love story, it’s a fairy tale princess story at heart. Writer/director Guillermo del Toro makes that clear from the opening words in the film, in a voice over that declares all that follows the story of the “sleeping princess”. In fact, Hawkins is reminiscent of multiple princesses: Snow White and Ariel, to name just two.
While the concept behind girl-meet-boy and falls in love may be common, del Toro’s interpretation (co-written with Vanessa Taylor) is anything but. It’s magical and mystical in ways live action films rarely are; the world on-screen feels grounded and real, despite an opening that tells viewers otherwise.
There is, of course, a difference between a world that “feels real” and one which is grounded in our reality. We may buy into the fantasy of “Star Wars” without once thinking this is truly our future. Here, however, “The Shape of Water” at once creates our past and future simultaneously. It’s real and also realistic.
For more about “The Shape of Water”, take a look below:
–>Keep in touch with the author on Twitter and Instagram @realZoeHewitt. Looking for the direct link to the video? Click here.
This week I review HIDDEN FIGURES. HIDDEN FIGURES is the true story of three African-American women in the 60s who work at NASA and their successful, historic rise through the ranks as they break barriers of race and gender. Taraji P. Henson (EMPIRE, HUSTLE AND FLOW) plays Katherine Johnson, Octavia Spencer (THE HELP) plays Dorothy Voughn and Janelle Monae plays Mary Jackson. Kevin Costner, Jim Parsons (THE BIG BANG THEORY), Kirsten Dunst and Mahershala Ali (MOONLIGHT) also star.
One of the difficulties inherent in making a true-story period piece that focuses on a hard time in history is showing the hurdles the real-life counterparts went through without balancing it with the good in life, too. Or, on the flip side, glossing over the difficulties so much that what the women had to overcome starts to seem easy. HIDDEN FIGURES manages to strike the perfect balance.
There are two particular lines in HIDDEN FIGURES that reference space as an analogy rather than a location. At the beginning of the movie in present day 1962, Katherine, Dorothy and Mary are stranded by the side of the road with car trouble on their way to work. There’s a great line “don’t stare into space” which serves a dual purpose of saying to pay attention, but also as a deeper analogy of not aspiring to do or be more than the 60s typically allowed of African-American women. The second line about space comes when Katherine’s three daughters fight over which of them will sleep alone as there are only two beds.
There were also two scenes with people looking up into space. One is at the beginning when the women look up with the police officer who stops to help them. The officer talks about being watched by Russia and they all stare upwards in a moment of contemplation. It not only reflects how space travel will affect them, but how limitless—or limited—they may all feel. Later, Dorothy sees a series of people standing by cars looking into space as they watch for John Glenn. It recalls that earlier scene and how things have changed.
Another direct reference to an earlier scene is when Katherine’s school teacher hands her a piece of chalk to work a mathematical equation on the board. In that shot, the teacher’s hand seems almost larger than life and Katherine’s small size is emphasized. Later, Katherine’s handed another piece of chalk and her hand is equal in size. So, another direct reference to her growth and evolution. HIDDEN FIGURES uses the repetition of these scenes to recall earlier moments and the changes that have taken place over time.
Costume designer Renee Ehrlich Kalfus says Katherine’s costumes mirrored her journey from timid to confident mathematician and if you watch her clothing evolve you’ll see how it allows her to stand out more among the uniformly-attired men.
For more about themes in HIDDEN FIGURES as well as behind-the-scenes info about the design of one of the NASA office buildings, take a look below…
—>Looking for the direct link to the video? Click here.